Virginia Mallon
Virginia Mallon is an artist working in paint, photography, and mixed media to explore the intersection of historical narrative and contemporary experience. Her practice delves into the legacies of mythological and historical women, using these archetypes to navigate the complex psychological currents of modern society. Drawing inspiration from political commentary, social realism and figurative expressionism, Mallon’s work offers a nuanced perspective on the challenges of contemporary women in American life. She addresses themes of domesticity, religious influence, and reproductive autonomy, often viewing these subjects through the lens of human resilience and personal history.
Mallon’s work has been exhibited extensively on a national and international scale. Her work has been shown in New York, Illinois, Arizona, California, Washington, Rhode Island, and has been featured in literary and arts journals, notably appearing as cover art for the Calyx Journal, Noctua Review, Marrow Magazine and featured in articles in The Journal (Ohio State University) and by the Women's Advocacy Initiative.
Beyond her studio practice, Mallon is a dedicated advocate for the arts community. As the founder and curator of Fat Canary Journal, she celebrates emerging artists and provides pro-bono marketing and advocacy services to arts organizations. Her curatorial projects often center on social justice, including collaborative exhibits at the Queens College School of Art. Through her work as both an artist and a curator, Mallon continues to foster critical dialogue regarding identity, history, and social change. She is also a member of Ceres Gallery, one of the last surviving feminist gallery in New York City.
